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PHOTOGRAPHER CREEP

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PHOTOGRAPHY by KRISS on 06 march 2016

PHOTOGRAPHER CREEP This one is quite easy for us because as you notice I speak about US, my wife and myself.
Being a married couple doing photography together has lots of advantages including helping building trust with models we have never worked with us.
Of course they could always assume we are a creepy couple looking for a threesome but that is a lot less likely than assuming a single male photographer can represent some danger for their safety, because it can actually be true !

So we are going to tell you how to install trust with a model even before the shooting in order to build a reputation that will be beneficial and necessary for the rest of your career as a photographer.

First of all, we are assuming you are a male photographer, single, working on his own and with little to no portfolio to show your future models.
Understandably, any model you will contact to arrange a photoshoot may have suspicions about your intentions and you want to reassure them you are not ill minded.

1 - Be professional

Understand what you are going to offer is nothing more than a business relationship.
It might be unpaid work, modeling in exchange for photos as it is the norm when models and photographers want to build a portfolio and are not rich and famous.
It still remains a formal business arrangement and you have to prospect models in a professional manner, with a professional vocabulary etc… I will take a very extreme example, setting the bar as high as it can get, imagining you want to make a series of black and white nudes, which by essence you are not very likely to find any model for if you don’t have any experience and reputation.
But still, this is what you don’t want to write :

Hello sexy, I think you are gorgeous and I would really love to make a series of black and white nudes with that awesome body of yours…

Ok let’s be serious for a minute.
Whichever type of shoot you are model shopping for, you need to be professional and come across as a professional.
This include expressing yourself in a formal natural and neutral manner.

2 - Never compliment

Ok, this is not actually true, you can compliment someone for some work or performance they did but certainly not for their good looks.
Be serious for a minute, if they are modeling this is because of their looks, there is absolutely no need to reassure a model about their looks, or at least this is certainly not a photographer’s job.
You can explain to a model why you are choosing her particularly because her looks match the images you want to realize but you have to be extremely clear and neutral in doing so.
« I thought you would be perfect because you’ve got huge titties and I want a series with lots of cleavage » won’t get you anywhere.
Neither will « You are so gorgeous » or any other compliment that will sound like you want to get in your model’s pants.

3 - Explain the shoot you have in mind thoroughly.

Start by explaining the general idea you have for the shoot and why, this is always reassuring to know you are going to work with someone who knows what they are doing.
Explain in details the settings of the shoot, location, duration, equipment used more or less etc… While your model doesn’t care about you’re telling her which apertures you plan to try, knowing you are going to try 3 different light techniques for your shoot and each might approximately require 10 minutes setting and 15 minutes shooting is reassuring.
It helps anticipating what is going to happen, and the human brain loves that.
Also explain what is your intent with the photos.
Are you going to use one for a flyer, or simply to add to your portfolio, in which section etc…

4 - Always offer the possibility for your model to bring someone along

You can offer to provide a make up artist (preferably a female make up artist) it will be very reassuring for your model.
You can also let them bring their own if they will.
For a few shoots we allowed models to bring their boyfriends.
The only thing you have to bear in mind is that this is a trust relationship that works both ways.
I always told the models I let on with a boyfriend on a shoot that they were at no time to interfere with the shoot and that I wanted to know who the guy was because my studio happened to be at the bottom floor of my house where my family lives and I didn’t want to take the risk to let anyone on my premises without a checkup.
Long time boyfriend was ok if not a gangster.
Last Friday’s shag was off limits !

5 - Never insist if turned down.

Remain professional, thank the model for her time responding to you and let the door opened by simply stating you may perhaps contact her in the future with some other ideas.
Don’t come up with another idea the next day of course ! Wait for you to have many more shootings up your sleeve and a lot more credibility to contact models who once turned you down again.
Some will always turn you down (perhaps for some because they are so pissed off they missed the opportunity to shoot with you before all the models in your area wanted to shoot with you), and some will finally accept if they feel they can trust you.

6 - Build yourself a reputation through social media.

Don’t be afraid to thank any model working with you at your beginnings for doing so.
Explain simply to them that building trust for a male photographer is not an easy thing and that you would very much appreciate if they reviewed your attitude as well as your performance on their social medias since they will surely post the photos, or even a backstage from their iphone or whatever.
A « very cool photographer to work with, very professional and kind » will do you wonders when shared around on social medias.
The word professional is actually the one that will help you best.
It really translates into « the guy kept his distance, didn’t look at me in a weird way, I felt safe and respected ».

Now of course during the shoot there are a few do and don’t which could be :

1 - Work tethered if you can.

If you have any means to work tethered to a computer so that the model can see what you are doing, this is excellent, they will not fear you are shooting the wrong things at the wrong places because they can’t really judge what you are doing.

2 - Never touch a model.

Even if you need to fix hair or anything on the set, always ask the model to do it herself or your make up artist assistant to do it for you.
Consider yourself as a robot who’s only here to press on the shutter and give directions.
If your model really can’t fix that bloody string of hair herself the way you want it ask permission to do it yourself but this is really something you want to avoid.
Have a mirror handy or better, a mirror in your studio, they will fix it themselves.

3 - Keep your remarks to yourself.

« Good, you’re doing good » is OK to say.
« You look so beautiful » is not.
Why ? Well, because one is pro and formal and the other one sounds at best too familiar at worst like you’re coming on to the model.

4 - Work in a tidy place.

Keep your studio extra clean and tidy where nothing feels threatening.
The state of your studio and your own appearance will reflect on the idea the model gets about your state of mind.
A messy look in a messy studio doesn’t inspire trust.

5 - Never go out with a model.

This is one I cannot really relate to because I am married and no model has ever made any advance to me.
Besides, I have been told a few times I was by far the most professional photographer they had ever worked with.
Your models will trust you if they feel you are into your photoshoot and not into them.

Ok, I think this is a pretty good list to start with, and following these simple common sense rules should get you a few models to start working with and build yourself a portfolio that will hap you get billable shootings soon.

I have decided to illustrate this post with a photo we realized in a supermarket with a model we had never ever worked with before.
She contacted us in the first place to ask if she could do something with us and my answer was this :

« Thank you very much for your message and wanting to work with us.
Right now, we are working on only two types of projects.
1) The milk dresses series which implies nudity and being splashed milk for about an hour while remaining still as a statue.
The splashing is realized by my wife and a female assistant.
This is a very demanding task that requires patience, ability to stay still and be comfortable with the smell of milk which can be sickening even if we add some essential oils in it to make the experience more pleasant for our models. 2) We are realizing a series of scenes that depicts colloquials, common puns or play on words, mockery of society’s standards etc… The next image we want to realize is called Geting one’s ass in pasta (this is actually a saying that exists in french).
We want a model lying naked amongst a large number of boxes of pasta in a supermarket alley.
We do have the venue and you could fit for that project.
In both cases (milk dress and pasta) the final images will show little nudity or at least covered with milk splashes or pasta boxes.
If you are interested, these are shootings we can only organize after closing hours for the supermarket, for obvious reasons, and the available dates are… »

She accepted to work with us and actually shot both projects.
As you can see, even the weirdest demands can be done as long as the description is thorough and professional.
The model looked comfortable at all times and asked to work with us again although by then we had already moved away.

#creepy #photographer #perv #dosanddonts

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ADJUSTING WITH PROXIMITY -  WORLD SCHOOLING -  SEAGULL THIEVES -  SUPERMARKET KINDNESS -  NEXT DESTINATIONS -  SUMMER CHRISTMAS -  SIESTA KEY BY NIGHT -  BICYCLE ON THE BEACH -  SIESTA BEACH DRUMS -  DUCK RESCUE TEAM -  THE GREEN BEE -  FOLKS PLAYING BY THE BEACH -  SIESTA KEY FLORIDA -  AMISH AT THE BEACH -  STRUGGLING AT SHOOTING A FROG -  MY PARENTS ARE IN LOVE -  THE PUPPY -  WINTER PROSTHETIC TAIL -  CLEARWATER MARINE AQUARIUM -  WEDDING IN A TRAIN STATION -  WEDDING BY THE BEACH -  THE CHRISTMAS BOAT -  THE SHARK TOOTH -  WINTER AND HOPE -  THE WEDDING BY THE SEA IN VENICE -  MY FIRST POST AS WELL -  MY FIRST POST -  LET THE SUNSHINE THROUGH -  THE PIER IN VENICE -  CHRISTMAS LIGHTS EVE -  SAINT ARMANDS MUSICIANS -  SARASOTA KISS -  FLAT TIRE IN FLORIDA -  VISA CARD DEFAULT FROM SWIPING -  CHILDREN MIND THEIR OWN BUSINESS -  WE LANDED IN FLORIDA -  POLICE ON THE BUS -  THE CAB IN SAN JOSE -  LIMON ON THE WAY -  CAHUITA NATIONAL PARK -  NEXT DOOR WILDERNESS -  PUERTO VIEJO HARBOR -  EL PRINCIPITO IN PUERTO VIEJO -  STREETS IN PUERTO VIEJO -  RARE SLOTH ENCOUNTER -  COSTA RICAN EXPENSIVE TOURS -  OPENED HOUSES VS FENCED HOUSES -  HIGHLY DANGEROUS RIP CURRENTS -  A FEW SMILES IN PUERTO VIEJO -  DRUGS IN PUERTO VIEJO -  ABOUT COSTA RICA -  BIBELIB TOTE BAG -  FRUITS IN COSTA RICA -  IRRATIONAL ATTRACTION -  PAPAYA SEEDS -  REINFORCING YOUR HEADPHONES -  JOB OPPORTUNITIES IN COSTA RICA -  INSECT BITES -  THINK BIG -  ROAD RAGE PUERTO VIEJO -  RUBISH DUMPS -  PURA VIDA -  REGGAE IN PUERTO VIEJO -  ONE LEG OF A JOURNEY -  PHOTOGRAPHY SHARPNESS IN THE JUNGLE -  SUNSETS IN PUERTO VIEJO -  STARTING BACK TOGETHER -  EASY ECONOMIC SNACKS FOR THE PLANE -  WHAT TO PACK FOR KIDS -  WHEN IS THE RIGHT TIME -  LULU BERLU -  NO COUNTRY FOR POOR MEN -  LOVE LIFE -  PUERTO VIEJO ABRASIVE SAND -  HAVE FUN FOR YOUR WEDDING -  HOW MUCH SHOULD YOU SPEND -  SURFING IN COLOR -  SURF IN BLACK AND WHITE -  MAKING FRIENDS -  ON OUR PATH TO OUR FREE LIFE -  THE FLAT TIRE IN MANZANILLO -  SEAGALE AMAZING WEAR -  12 ANIMAL ENCOUNTERS -  TYPICAL HOMESCHOOLING DAY -  10 FACTS ON PUERTO VIEJO -  INTERNET IN PUERTO VIEJO -  COCONUT EXPLAINED -  LONG EXPOSURES AT PLAYA COCLES -  5 KIDS LIKES AND DISLIKES ON PUERTO VIEJO -  NIKON TELECONVERTER X2 -  COSTA RICA OVERPOWERING NATURE -  LIFE COSTS IN PUERTO VIEJO -  FROM SAN JOSE TO PUERTO VIEJO -  FROM SPAIN TO COSTA RICA -  TRAVELING ON AN EMPTY PLANE -  HOW MUCH DID WE PACK -  BEST INTERNET OPTION FOR NERJA -  OUR NOMADIC LIFE -  WEDDING PROPOSAL PAPARAZZI -  SHOOTING A WEDDING CAKE -  BRIDE AND GROOM FIGHT -  WHAT IS ALL THIS FUSS ABOUT -  THE ENDLESS SUMMER -  HOW OFTEN DO YOU CHANGE ELECTRONICS -  DODGE CHARGER 1969 MISHAPS -  YOGA WITH CHILDREN -  MILK DRESS TUTORIAL -  MAROWEEN -  SPANISH SHRINES -  BRIDE SUES WEDDING PHOTOGRAPHER -  HOLD FAST MONEY MAKER REVIEW -  MOBILE PHONE OBSESSION -  HOW TO TAKE BETTER PHOTOS IN LOW LIGHT -  MEFOTO ROADTRIP TRIPOD SUCKS BIG TIME -  NO MAS SILENCIO -  THE SEA CLEANSES YOUR SOUL -  NOT EASTER ISLAND BUT CLOSE -  LIGHTLOAD TOWELS -  MY FIRST PHOTOSHOOT WITH A HORSE -  COLORFUL FISHES -  NERJA YOUNG ADVENTURESS -  ALWAYS KEEP A CAMERA BY YOUR SIDE -  SHOOTING UNUSUAL LOCATIONS 6 -  MANGOS DE LAS ABUELAS -  RAINING MONTH IN SOUTH OF SPAIN -  PHOTOSHOOT OF NOTHING -  THE WIZARD SPECIAL EFFECT PHOTOGRAPHY -  WHY AND HOW TO QUIT SMOKING -  HOW TO TRAVEL LIGHT AS A FAMILY -  WHY WE LOVE WEDDINGS -  FERIA DE NERJA 2015 -  HOW CHILDREN SHOW US THE WAY -  3 ACCIDENTS WITH ESSENTIAL OILS -  LIVING BY THE SEA IS GREAT -  SHOOTING UNUSUAL LOCATIONS 5 -  WHY CLOUDY DAYS ARE AWESOME -  HOW TO CHOOSE A LED HEADLIGHT -  NIKKOR 70-200MM F2.8 VRII -  NIKON D800E -  HONEY BEES -  NIKON D90 REVIEW -  LIGHTNING STORM IN NERJA -  FISH EYE PHOTOGRAPHY -  WHY NOT RUNNING AWAY -  HOW TO GET BACK YOUR FREEDOM -  BEACHES IN NERJA -  HOW TO GET A FREE HOT STONES MASSAGE -  RESTAURANT MARBELLA IN NERJA -  RESTAURANT LA FABRICA IN NERJA -  GETTING RID OF THINGS -  STREET NATURAL FRUIT JUICE -  BIRDS SHOULD BE FREE -  AMAZING HIGH ISO -  SHOOTING UNUSUAL PLACES 4 -  PLAYA BURRIANA NERJA -  SHOOTING FIREWORKS -  WHAT COLOR IS YOUR WEDDING -  NIKON D4S REVIEW -  CUEVAS DE NERJA -  TROPICAL ANIMALS -  SHOOTING UNUSUAL LOCATIONS 3 -  WEE MORNING PAL -  ANSE LAZIO PRASLIN SEYCHELLES -  MIND OR BREAK MY HOUSE -  THE SKY IS MY LIMIT -  BLOG MORE MEDIA LESS -  GOLDEN HOUR -  SHOOTING UNUSUAL LOCATIONS 2 -  TV IS SOURCE OF ALL EVIL -  MICHAEL KORS -  BEACH MASSAGE -  MAC BOOK IS DAMN STRONG -  REFURBISHED IS CHEAPER -  WHAT WE'LL MISS ABOUT THAILAND -  NO YOU'VE GOT THE WRONG ONE -  PHOTOSHOP COLLAGE -  NEROLI ESSENTIAL OIL -  HOME SCHOOLING -  ADDING A BASKET TO YOUR WEBSITE -  EXCHANGING RINGS -  DETAILED WEDDING PHOTOGRAPHY -  SHOOTING UNUSUAL LOCATIONS 1 -  OUR TIENDA DE ARTE -  HEY DUDE -  SEAGALE CLOTHING -  NIKKOR 12-300MM F1.4 MACRO VRII -  HOW SAFE ARE YOU -  SEA CATS -  GOATS IN THE TREE -  NIKKOR 105MM MACRO VRII -  MOROCCO FROM ACROSS IS GIBRALTAR -  ESSAOUIRA -  MARRAKESH -  MAKING BEAUTY OUT OF ANYTHING -  STYLISH WEDDINGS -  COSMOPOLITAN NERJA -  SIGMA 50MM F1.4 ART -  PREGNANT IS BEAUTIFUL -  OUTLIER AND SEAGALE -  CHOOSING A BACKPACK -  HOW TO FIND A CHEAP PLANE TICKET -  SO COSTA RICA IT IS -  THE BLOGS MAZE -  TIME TO MOVE -  TIENDA TEXT PORTRAITS -  LONG EXPOSURES -  NERJA SUNRISE AND SUNSET -  FREEDOM IS TASTY -  WE HAVE ARRIVED IN SPAIN -  LIGHTROOM VS PHOTOSHOP -  CACTUS TRIGGERS -  SIGMA 35MM F1.4 ART -  SHOOTING A WEDDING EVENING -  PREPARING FOR A WEDDING -  KIDS AND PHOTOGRAPHY -  DECIDING TO CHANGE YOUR LIFE -  NO -  FREEDOM AND OFFICE WORK -  WORKING OUTSIDE WITH FLASH LIGHTS -  STUDIO PHOTO WORK -  PHOTO BOOTH -  OTHER INTERESTING USES OF ESSENTIAL OILS -  THE WEDDING GUESTS -  WEDDING PHOTOGRAPHY IN A CHURCH -  FOOD POISONING AND ESSENTIAL OILS -  LA DIGUE -  DUBAI AIRPORT -  LITTLE TRIP TO SEYCHELLES -  MILK DRESSES AND OTHER LIQUIDS -  LIGHT WITH ELINCHROM -  ESSENTIAL OILS AND CAMERA EQUIPMENT -  ESSENTIAL OILS AND INSECT BITES -  SHOOTING A BRIDE -  PHP AND MYSQL FOR THE N00BS -  THE THREE MONKEYS SYNDROME -  SHOOTING MODELS IN MONTREAL -  CANADA WITH THE KIDS -  OWNING A HOUSE IS OVER RATED -  NIKON D800 VS D800E -  TESTING THE SIGMA 85MM F1 4 -  THE TRUTH ON ORGANIC FARMING -  LEARNING HOW A WEBSITE -  THE RIGHT PHOTO EQUIPMENT FOR A WEDDING - 

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